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We all Started with a huge pile of plasticine to shape our heads with. |
![]() Noreen guided us through some great tips on facial features - what works well for expression, etc. |
Silicone-based
Plaster was used with the
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Here's the unpainted, hairless head along with the arms and hands, made by hand as well. |
Here's the partially painted head with the finished arms and unclothed foam body. |
Here's Myself torturing poor Noreen with 'Jay'. Hair, clothes and more importantly, rods for arm movement are added. |
The
fine art of puppet manipulation
is
instructed by Puppet Master Bob
Stutt
These simple work puppets are minimal in design and are used to develop skills such as balance, eye line levels, height levels, arm angles, physical and emotional expressions. None of it was as easy as I had anticipated! |
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Here is another star of our class - Oscar the baby sparrow. Oscar was saved by a kind woman and fellow puppet manipulation pupil who I'll name once/if I get her permission! |
These are called Knuckle-Boppers. Mary O'Riley and I made our own during the last day of the puppet making course. Mine is the blue saxophonist. We're rehearsing for the big Cabaret Show for the Puppets Up! Puppet Festival. |